The latest episode of The Walking Dead: Dead City falls victim to the same sluggish pacing that plagued the later seasons of The Walking Dead—nothing much happens. Compared to the show’s most iconic episodes like “Days Gone Bye” that seamlessly delivered tension, emotional depth, and action all at once, “Why Did the Mainlanders Cross the River?” feels glaringly inadequate. Yes, it’s an unfair comparison, but when you’ve got only eight episodes to work with, wasting precious narrative space is a bold choice. Unfortunately, it’s not a good one. Let’s review.
The episode’s central focus is on Herschel’s (Logan Kim) grooming and coming under the corrupt influence of the Dama (Lisa Emery). The Dama and Herschel’s storyline, that could have been gripping, remains frustratingly underdeveloped. The moment Herschel parrots the Dama’s words to Maggie about the city—”broken, ignored, abandoned”—as something that can still be transformed was interesting. And yet, the real revelation was what Herschel saw in those words—himself.
The Dama plants a seed: “When you go home, there are things you’re going to have to do.” Was one of the ‘things’ Herschel had to do was signal when the mainlanders planned to attack? Of course, it was—because Herschel is well on his way to becoming something new. The real question is: What else is Herschel willing to do for the Dama?>>
The Dama-Herschel flashbacks—while beautifully shot—blur into present-day scenes with such little distinction that viewers are left guessing. A simple “six months earlier” caption or a black-and-white filter (like the Season 6 premiere, “First Time Again”) could have cleared things up without requiring a forensic investigation.
Herschel’s angsty back-and-forth with Maggie (Lauren Cohan) may irritate some viewers, but his “don’t give a shit” attitude toward Negan (Jeffrey Dean Morgan) is a direct response to his mother’s fixation on vengeance, which has, in his eyes, led to his neglect. That said, Herschel’s interaction with the dying forager girl was one of the few emotionally resonant moments in the episode. He gives her his drawing, presses his forehead to hers, and fully participates in the group’s ritual. This is a symbolic act none of the other mainlanders cared to join. If nothing else, Herschel has proved that when it comes to human connection, he’s ahead of the curve.
The writers keep dangling a dynamic between Herschel and Ginny (Mahina Anne Marie Napoleon) but refuse to explain it. Herchel’s territorial outburst in the last episode—”She’s, my mom!”—suggests an intriguing tension, especially as both children grapple with their bizarre, unstable relationships with Negan. Yet, with a third of the season already gone, these threads remain frustratingly underexplored. Do the writers have a plan, or are they just winging it? Jury’s out.
The Croat (Zeljko Ivanek) vs. Negan storyline also feels stagnated. Negan’s half-hearted attempt to pry the Croat away from the Dama is met with predictable counters, as the Croat—suspicious as ever—knows exactly what Negan values: children. Sending Negan after the mainlanders, therefore, feels pointless. Negan was never going to harm anyone in Maggie’s crew. The Croat knew that, too, which is why he sent Waylen (Tom Ukah) along with Negan to the ‘no man’s land’ in Central Park. Negan is a true nowhere man—adrift between the Gangs of New York, the Mainlanders, and even his own family, yet truly belonging to none. How much longer before he catches a break?
Of course, Negan returns alone, having dispatched Waylen using the time-honored throw-walkers-at-your-enemy trick. While the scene delivered solid action, Waylen’s miraculous survival just to later threaten Herschel and the feral girl felt forced. Negan explains to the Croat that the park is crawling with the dead, and that the mainlanders were “pretty much dead already.” The Croat, ever the smug chess master, responds with a knowing: “Accidents happen.” While this, along with the story of how he became partners with the Dama, offers insight into the Croat’s personality, it fails to deliver meaningful story progression.
Meanwhile, Major Narvaez (Dascha Polanco) and Colonel Armstrong (Gaius Charles) remain undeniably generic. Armstrong tiptoes between keeping Maggie as an ally and keeping Narvaez’s power plays in check. Narvaez, however, barrels forward with her single-minded pursuit of conscripting the foragers—despite their complete indifference toward obtaining the methane. She lacks the charm and tactical intelligence of villains like the Governor, the humor and dangerous unpredictability of Negan, and the courage and compassion of Maggie. Instead, Narvaez is reckless—a blunt instrument in a world that requires a much sharper tool.
The episode does deliver striking cinematography, but its world-building remains half-hearted. The ritual—where Roksana (Pooya Mohseni) and the foragers give the girl’s heart to the dead so she can roam among them—was an eerie addition. Unfortunately, the mainlanders’ awkward, wide-eyed gawking—more like clueless tourists than thoughtful observers—stripped the chilling cultural moment of its impact, reducing it to little more than a grotesque sideshow.
The writers have set up Herschel as Maggie’s foil, much like how Carl was for Rick regarding Negan. Carl saw a chance for redemption—Rick wanted vengeance. Maggie is stuck in her grudge, while Herschel is rejecting her need for revenge entirely. Whether this contrast deepens their parent-child conflict or pushes Maggie to finally let go is the most interesting unanswered question of the season so far.
It may be unfair to compare Dead City to the original Walking Dead, but the intent isn’t to tear it down, it’s to highlight that the canon offers plenty of examples of how it could be better. As it stands, this episode was a frustrating waste of time with glimpses of potential. Course correction is needed—and soon.
Will Herschel and Maggie’s differences make their conflict worse, or finally help Maggie move past her feud with Negan? Share your thoughts in the comments.
Overall Grade:
5:10
Lynette Jones
I am a self-identified ‘woke boomer’ who hails from an era bathed in the comforting glow of a TV, not a computer screen. Navigating the digital world can sometimes leave me feeling a bit unsure, but I approach it with curiosity and a willingness to learn. Patience and kindness in this new landscape are truly valued. Let’s embrace the journey together with appreciation and a touch of humor!